Iconic works such as the Heydar Aliyev Centre (2012), the Guangzhou Opera House (2010), and the Phaeno Science Center (2005) became key references in studying her mastery of spatial composition. Beyond her buildings, Hadid’s creative philosophy, rooted in abstraction and futurism, influenced the body copy used in each poster, treating type as visual texture. By analyzing her work through both visual and conceptual lenses, I wanted to find a way to translate her architectural language into an expressive typographic series.